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Burdens of the Dead

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Hardcover: $25.00

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Other books in the Heirs of Alexandria Series by Mercedes Lackey, Eric Flint and Dave Freer (4)

All the Plagues of Hell

All the Plagues of Hell

Orkise is loose. The snake-god of plague has been awakened by Lucia del Maino, the bastard daughter of the recently overthrown duke of Milan, Phillipo Visconti. With the venomous magic of Orkise at her command, Lucia plots to marry and then murder the usurper who now rules Milan, the condottiere Carlo Sforza—known to friend and foe alike as the Wolf the North. Other trouble is brewing as well. Sforza has his own bastard, Benito Valdosta, who is returning to Venice after having conquered the Byzantine empire. Benito has a score to settle with his father, and he will have the help of his half-brother Marco, who is the embodiment of ancient Etruria’s mighty Winged Lion of Saint Mark. Adding further to Sforza’s predicament, yet another power has entered the fray. The terrifying sorcerer Count Mindaug has decided to settle in Milan. Will he ally with Sforza, or oppose him? Either will bring trouble, for if Mindaug aids the usurper he will arouse the fury of the Holy Roman Empire and the Knights of the Holy Trinity. Both of those great forces have sworn to destroy Mindaug and anyone who shelters him. On his side, Sforza has only the skill and cunning of his physician, Francisco Turner—who is on good terms with the Valdosta brothers and may be able to neutralize Venetian hostility. But even if he can, will that be enough to save the Wolf of the North? For out there in the countryside of northern Italy, Orkise is uncoiling all the plagues of hell.

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Much Fall of Blood

Much Fall of Blood

Prince Manfred and his mentor and bodyguard, the deadly warrior Erik, survived dangers and enemies both natural and supernatural, and if they thought that their new mission was going to be anything but more of the same, they soon gave up on that hope. Returning from Jerusalem, they and their escort of knights of the Holy Trinity are escorting an envoy of II Khan Mongol to the lands of the Golden Horde-between the Black Sea and the Carpathians, which happen to be eastern bastion against their old enemies, the demon Chernobog and his possessed puppet, the Jangellion.  Unfortunately, what began as a diplomatic mission leads to Manfred and his knights being caught up in an inter-clan civil war, rescuing a fugitive woman and her injured brother, and becoming involved in the problems of Prince Vlad, Duke of Valahia, who has been held as a hostage by King Emeric of Hungary until freed by Countess Elizabeth Batholdy to use as bait to capture a group of nonhumans. Instead, the wolflike nonhumans, who masquerade as gypsies, free Prince Vlad, and help him to return to his homeland to raise revolt against Hungary and to renew age-old magics. Manfred and Erik are forced into an alliance of convenience between the Golden Horde and the ancient magical forces of Valahia, as directed by the troubled Vlad. The magic calls for blood and Vlad is deathly afraid of it—and at the same time, is irresistibly drawn toward it . . .

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The Shadow of the Lion

The Shadow of the Lion

ADVENTURES IN AN OTHER-WORLDLY NEW-AGE VENICE it is the year 1537. The great winged Lion stares over a Venice where magic thrives. The rich Venetian Republic is a bastion of independence and tolerance. Perhaps for that reason, it is also corrupt, and rotten with intrigue. But for the young brothers Marco and Benito Valdosta, vagabond and thief, Venice is simply-home. They have no idea that they stand at the center of the city's coming struggle for its very life. They know nothing of the powerful forces moving in the background. They have barely heard of Chernobog, demonlord of the North, who is shifting his pawns to attack Venice in order to cut into the underbelly of the Holy Roman Empire. All Marco and Benito know is that they're hungry and in dangerous company: Katerina the smuggler, Caesare the sell-sword, Montagnard assassins, church inquisitors, militant Knights of the Holy Trinity, Dottore Marina the Strega mage . . . and Maria. Maria might be an honest canaler, but she had the hottest temper a boy could find. Yet among the dark waters of the canals lurk far worse dangers than a hot-tempered girl. Chernobog has set a monster loose to wreak havoc on the city. Magic, murder and evil are all at work to pull Venice down. Fanatical monks seek to root out true witchcraft with fire and sword. Steel-clad Teutonic knights, wealth traders, church dignitaries and great Princes fight and plot for control of the jewel of the Mediterranean. And somehow all of these, from thieves to mages to princes, must gather around Marco and his brother Benito, under the shadow of the great winged lion of Venice.

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This Rough Magic

This Rough Magic

The Demon Chernobog— Foiled but Not Conquered in The Shadow of the Lion— is Back to Conquer Sixteenth-Century Venice! Chernobog had come within a hair of seizing absolute power in Venice, but was thwarted by the guardian Lion-spirit, who awoke to protect his city from the power-mad demon. But the power of the Lion is limited to Venice, and Chernobog has a new ally in the King of Hungary, who has beseiged the island of Corfu to seize control of the Adriatic from Venice. Trapped on the island is the small band of heroes who awoke the Lion and thwarted Chernobog before. Far from the Lion's help, Manfred and Erik lead guerrillas against the foe, and Maria discovers ancient magical powers on the island. If she can make alliance with them, she may be able to repel the invaders—but not without paying a bitter personal price. . . . Praise for the Prequel, The Shadow of the Lion: "The prolific Lackey and cohorts Flint and Freer whip up a luscious bouillabaisse of politics, intrigue, love and black magic set in an "Other-worldly, New-Age Venice. . . ." The authors' use of contemporary American vernacular . . . instead of pompous period speech keeps the pages turning fast. . . ."—Publishers Weekly "[A] massive concoction of alternate history, high fantasy, and historical romance set in the sixteenth-century Venice of an alternate world . . . rich plotting, vivid characterization, and splendid evocation of Renaissance ethics and culture should make readers turn all the pages."—Booklist ". . . a sweeping alternate history. .. .The authors deftly wield the juxtaposition of fantasy and history into a finely crafted story."—Romantic Times "[A] top pick . . . fast-paced action and complex, believable settings." —The Bookwatch

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